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| Craftsmanship is a vital component of any design—and while our showroom displays finished pieces, each item in our collection has undergone a journey, requiring painstakingly detailed construction and exceptional skill from master artisans who are experts in their trade. The legacy of meticulous craftsmanship that defines each piece ensures not only aesthetic excellence but also a commitment to the highest standards of quality and durability. This week, we’re bringing you five designs that beautifully showcase extraordinary craftsmanship. |
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| PP501 |
| Hans J. Wegner |
| The “Round One” as Wegner referred to it with his usual provincial modesty, is one of the most famous Danish pieces of furniture. PP501 sums up the very essence of traditional Danish woodworking and design philosophy. It is considered the magnum opus of Hans J. Wegner. The armrest for the PP501 chair consists of three pieces, each carved out of solid wood from 200 year-old shelter trees. The raw parts are conditioned between one to two years depending on the wood type. This delicate process relies on the nature of the tree and on generations of experienced craftsmanship and cannot be hurried. |
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| ZENSO |
| Formstelle |
| Zeitraum has a worldwide reputation for utilizing masterful artisans and expert woodworkers, and Zenso showcases their extraordinary capability. Influenced by Japanese design, Zenso exudes a feeling of elegance, simplicity, and tranquility. It takes only one small gesture to understand the love of and enthusiasm for solid wood: Simply run your hand over the surface of Zenso and you will feel the sensual, warm and unique character of this living material. |
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| WLC 22 |
| Mel Smilow |
| The WLC 22 Woven Leather Armchair was originally designed by Mel Smilow in 1956, and reissued by Smilow Design, as a testament to the brand’s commitment to craftsmanship and exceptional detail. Smilow Furniture has been described as “Enduring Modern Classics” due to their expert construction paired with high-quality materials. Handcrafted in Pennsylvania from solid walnut, maple, white oak, ash, ebonized ash, or cherry. Leather strapping available in a wide variety of options. |
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| BRUTUS |
| Craig Bassam and Scott Fellows |
| Made with authentic craftsmanship from rich, natural materials, the Brutus is intended to look more cut than constructed, as if it has been weathered naturally over time and then manipulated into a single sculptural element. The elliptical legs of Brutus appear broad from one perspective, remarkably thin from another – similar to a shark’s fin. Available with or without arms, both versions of Brutus possess certain aspects of the muscular vernacular of their Brutalist roots with an added touch of smoothness and lightness. Seat available in Vienna caning or upholstered in a variety of leather options. |
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| LINEA RMT6 |
| Rudi Merz |
| The Linea RMT6 chair’s most recognizable element is the distinctive, horseshoe-shaped back and armrest. The frame is made using mortise joints secured with wooden nails, which function both as structural support and aesthetic elements, while the wide, curved, and upholstered seat ensures the ultimate in seating comfort. The entire Linea series is characterized by soft curves and traditional joinery, which speaks to Nikari’s respect for traditional Finnish workmanship. Made of Northern European ash with an oiled or stained finish and upholstered seat. |
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